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dapoxetine fda approval date Ligeti was a proper modernist, after all. He’d pushed out the bounds of the permissible in music, with his finely-woven ‘micropolyphonies’ and dense sound-blocks abruptly facing one another, like the colour planes in an abstract painting. Whereas Takemitsu was just an unabashed sensualist. He took the delicious harmonies of Debussy, made them even more perfumed, and added a touch of that particular Japanese sadness which is prompted by the sight of falling cherry-blossom. It was unfailingly lovely, but just too easy on the ear for card-carrying modernists.